Below is a brief introduction to the mixolydian mode for the guitar. Also included,  are some practice ideas to help incorporate this mode into your clinical tool box.

I. INTRODUCING MIXOLYDIAN

Mixolydian Mode

  • The relationship to the major scale
  • Relationship between major scale and Mixolydian
  • The mixolydian mode is always based on the Fifth scale degree of the relative major scale:
  • The relationship to the major scale (5th degree)
  • Relationship between major scale and Mixolydian
  • Based on the 5th scale degree of the relative major scale
  • Varies from the major scale by the flatted 7th.
  • The scale degrees are R, 2, 3, 4, 5, 6, and b7

Mixolydian: Basic Chords/Triads

I ChordMajorG-B-D
ii ChordMinorA-C-E
iii ChordDiminishedB-D-F
IV ChordMajorC-E-G
V ChordMinorD-F-A
Vi ChordMinorE-G-A
VII ChordMajorF-A-C

Practice Techniques

Exploring the Mixolydian: It’s a Process

  • Sing the scale and begin to anticipate and “hear” the b7 (minor 7th)
  • Sing & develop short melodic themes that you repeat (emphasize the b7th)
  • Create tonal center (we are in G mixo, not C major, yes?)
  • Begin with a simple ostinati in the left hand and begin to sing
  • Understanding harmonies (develop chords on each tone)
  • Choose 2 chords and play a melody between the 2 chords
  • Let’s not forget about rhythm, tempo, range (piano/guitar) and singing
  • Guitar: Play the scale with 1 finger on 1 string, slowly and evenly

You need to start somewhere

  • 1-note, 2-note, 3-note, and 4 note improvisations
  • Improvising on a single chord
  • Improvising with one hand
  • Melody improvisation alone

Tonal Center

  • Finding and announcing the tonal center
  • Understanding triad for each tone (i.e. major, minor, ½ diminished)
  • Constantly emphasizing tonal center
    • Focusing on identifying tone/s in the mode (i.e. G mixo- F, D mixo-C, etc.)
    • Chord placement
    • If you’re in G mixolydian do you hear the resolution going to C or G?

The initial focus of the music therapist (improviser) is to use music to facilitate musical engagement and interaction

  • Observe
  • Listen
  • Musically approach
  • Follow musical cues
  • Meeting music
  • Extend the play: deepening the experience

Interested in learning more? Check out our guitar lessons!

Mixolydian for the Guitar and Voice: Resource for Clinical Improvisation

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